The narrowness of the existing conception of woman's independence and emancipation; the dread of love for a man who is not her social equal; the fear that love will rob her of her ******* and independence; the horror that love or the joy of motherhood will only hinder her in the full exercise of her profession--all these together make of the emancipated modern woman a compulsory vestal, before whom life, with its great clarifying sorrows and its deep, entrancing joys, rolls on without touching or gripping her soul.
Emancipation, as understood by the majority of its adherents and exponents, is of too narrow a scope to permit the boundless love and ecstasy contained in the deep emotion of the true woman, sweetheart, mother, in *******.
The tragedy of the self-supporting or economically free woman does not lie in too many but in too few experiences. True, she surpasses her sister of past generations in knowledge of the world and human nature; it is just because of this that she feels deeply the lack of life's essence, which alone can enrich the human soul, and without which the majority of women have become mere professional automatons.
That such a state of affairs was bound to come was foreseen by those who realized that, in the domain of ethics, there still remained many decaying ruins of the time of the undisputed superiority of man;ruins that are still considered useful. And, what is more important, a goodly number of the emancipated are unable to get along without them. Every movement that aims at the destruction of existing institutions and the replacement thereof with something more advanced, more perfect, has followers who in theory stand for the most radical ideas, but who, nevertheless, in their every-day practice, are like the average Philistine, feigning respectability and clamoring for the good opinion of their opponents. There are, for example, Socialists, and even Anarchists, who stand for the idea that property is robbery, yet who will grow indignant if anyone owe them the value of a half-dozen pins.
The same Philistine can be found in the movement for woman's emancipation. Yellow journalists and milk-and-water litterateurs have painted pictures of the emancipated woman that make the hair of the good citizen and his dull companion stand up on end. Every member of the woman's rights movement was pictured as a George Sand in her absolute disregard of morality. Nothing was sacred to her.
She had no respect for the ideal relation between man and woman. In short, emancipation stood only for a reckless life of lust and sin;regardless of society, religion, and morality. The exponents of woman's rights were highly indignant at such representation, and, lacking humor, they exerted all their energy to prove that they were not at all as bad as they were painted, but the very reverse. Of course, as long as woman was the slave of man, she could not be good and pure, but now that she was free and independent she would prove how good she could be and that her influence would have a purifying effect on all institutions in society. True, the movement for woman's rights has broken many old fetters, but it has also forged new ones. The great movement of TRUE emancipation has not met with a great race of women who could look liberty in the face. Their narrow, Puritanical vision banished man, as a disturber and doubtful character, out of their emotional life. Man was not to be tolerated at any price, except perhaps as the father of a child, since a child could not very well come to life without a father. Fortunately, the most rigid Puritans never will be strong enough to kill the innate craving for motherhood. But woman's ******* is closely allied with man's *******, and many of my so-called emancipated sisters seem to overlook the fact that a child born in ******* needs the love and devotion of each human being about him, man as well as woman.
Unfortunately, it is this narrow conception of human relations that has brought about a great tragedy in the lives of the modern man and woman.
About fifteen years ago appeared a work from the pen of the brilliant Norwegian, Laura Marholm, called WOMAN, A CHARACTER STUDY. She was one of the first to call attention to the emptiness and narrowness of the existing conception of woman's emancipation, and its tragic effect upon the inner life of woman. In her work Laura Marholm speaks of the fate of several gifted women of international fame: the genius, Eleonora Duse; the great mathematician and writer, Sonya Kovalevskaia; the artist and poet-nature, Marie Bashkirtzeff, who died so young. Through each description of the lives of these women of such extraordinary mentality runs a marked trail of unsatisfied craving for a full, rounded, complete, and beautiful life, and the unrest and loneliness resulting from the lack of it. Through these masterly psychological sketches, one cannot help but see that the higher the mental development of woman, the less possible it is for her to meet a congenial mate who will see in her, not only ***, but also the human being, the friend, the comrade and strong individuality, who cannot and ought not lose a single trait of her character.
The average man with his self-sufficiency, his ridiculously superior airs of patronage towards the female ***, is an impossibility for woman as depicted in the CHARACTER STUDY by Laura Marholm. Equally impossible for her is the man who can see in her nothing more than her mentality and her genius, and who fails to awaken her woman nature.