I have not been able to do justice (only a Lawrence could do that)to my respected friend Mrs. Perkins, in this picture; but Larkins's portrait is considered very like. Adolphus Larkins has been long connected with Mr. Perkins's City establishment, and is asked to dine twice or thrice per annum. Evening-parties are the great enjoyment of this ****** youth, who, after he has walked from Kentish Town to Thames Street, and passed twelve hours in severe labor there, and walked back again to Kentish Town, finds no greater pleasure than to attire his lean person in that elegant evening costume which you see, to walk into town again, and to dance at anybody's house who will invite him. Islington, Pentonville, Somers Town, are the scenes of many of his exploits;and I have seen this good-natured fellow performing figure-dances at Notting-hill, at a house where I am ashamed to say there was no supper, no negus even to speak of, nothing but the bare merits of the polka in which Adolphus revels. To describe this gentleman's infatuation for dancing, let me say, in a word, that he will even frequent boarding-house hops, rather than not go.
He has clogs, too, like Minchin: but nobody laughs at HIM. He gives himself no airs; but walks into a house with a knock and a demeanor so tremulous and humble, that the servants rather patronize him. He does not speak, or have any particular opinions, but when the time comes, begins to dance. He bleats out a word or two to his partner during this operation, seems very weak and sad during the whole performance, and, of course, is set to dance with the ugliest women everywhere.
The gentle, kind spirit! when I think of him night after night, hopping and jigging, and trudging off to Kentish Town, so gently, through the fogs, and mud, and darkness: I do not know whether Iought to admire him, because his enjoyments are so ******, and his dispositions so kindly; or laugh at him, because he draws his life so exquisitely mild. Well, well, we can't be all roaring lions in this world; there must be SOME lambs, and harmless, kindly, gregarious creatures for eating and shearing. See! even good-natured Mrs. Perkins is leading up the trembling Larkins to the tremendous Miss Bunion!
MISS BUNION.
The Poetess, author of "Heartstrings," "The Deadly Nightshade,""Passion Flowers," &c. Though her poems breathe only of love, Miss B. has never been married. She is nearly six feet high; she loves waltzing beyond even poesy; and I think lobster-salad as much as either. She confesses to twenty-eight; in which case her first volume, "The Orphan of Gozo," (cut up by Mr. Rigby, in the Quarterly, with his usual kindness,) must have been published when she was three years old.
For a woman all soul, she certainly eats as much as any woman Iever saw. The sufferings she has had to endure, are, she says, beyond compare; the poems which she writes breathe a withering passion, a smouldering despair, an agony of spirit that would melt the soul of a drayman, were he to read them. Well, it is a comfort to see that she can dance of nights, and to know (for the habits of illustrious literary persons are always worth knowing) that she eats a hot mutton-chop for breakfast every morning of her blighted existence.
She lives in a boardinghouse at Brompton, and comes to the party in a fly.
MR. HICKS.
It is worth twopence to see Miss Bunion and Poseidon Hicks, the great poet, conversing with one another, and to talk of one to the other afterwards. How they hate each other! I (in my wicked way)have sent Hicks almost raving mad, by praising Bunion to him in confidence; and you can drive Bunion out of the room by a few judicious panegyrics of Hicks.
Hicks first burst upon the astonished world with poems, in the Byronic manner: "The Death-Shriek," "The Bastard of Lara," "The Atabal," "The Fire-Ship of Botzaris," and other works. His "Love Lays," in Mr. Moore's early style, were pronounced to be wonderfully precocious for a young gentleman then only thirteen, and in a commercial academy, at Tooting.
Subsequently, this great bard became less passionate and more thoughtful; and, at the age of twenty, wrote "Idiosyncracy" (in forty books, 4to.): "Ararat," "a stupendous epic," as the reviews said; and "The Megatheria," "a magnificent contribution to our pre-Adamite literature," according to the same authorities. Not having read these works, it would ill become me to judge them; but I know that poor Jingle, the publisher, always attributed his insolvency to the latter epic, which was magnificently printed in elephant folio.
Hicks has now taken a classical turn, and has brought out "Poseidon," "Iacchus," "Hephaestus," and I dare say is going through the mythology. But I should not like to try him at a passage of the Greek Delectus, any more than twenty thousand others of us who have had a "classical education."Hicks was taken in an inspired attitude regarding the chandelier, and pretending he didn't know that Miss Pettifer was looking at him.
Her name is Anna Maria (daughter of Higgs and Pettifer, solicitors, Bedford Row); but Hicks calls her "Ianthe" in his album verses, and is himself an eminent drysalter in the city.
MISS MEGGOT.
Poor Miss Meggot is not so lucky as Miss Bunion. Nobody comes to dance with HER, though she has a new frock on, as she calls it, and rather a pretty foot, which she always manages to stick out.
She is forty-seven, the youngest of three sisters, who live a mouldy old house, near Middlesex Hospital, where they have lived for I don't know how many score of years; but this is certain: the eldest Miss Meggot saw the Gordon Riots out of that same parlor window, and tells the story how her father (physician to George III.) was robbed of his queue in the streets on that occasion. The two old ladies have taken the brevet rank, and are addressed as Mrs. Jane and Mrs. Betsy: one of them is at whist in the back drawing-room. But the youngest is still called Miss Nancy, and is considered quite a baby by her sisters.