For himself, he had never been so happy as since he had seen his way, as he fondly believed, to some sort of mastery of the scenic idea, which struck him as a very different matter now that he looked at it from within. He had had his early days of contempt for it, when it seemed to him a jewel, dim at the best, hidden in a dunghill, a taper burning low in an air thick with vulgarity. It was hedged about with sordid approaches, it was not worth sacrifice and suffering. The man of letters, in dealing with it, would have to put off all literature, which was like asking the bearer of a noble name to forego his immemorial heritage. Aspects change, however, with the point of view: Wayworth had waked up one morning in a different bed altogether. It is needless here to trace this accident to its source; it would have been much more interesting to a spectator of the young man's life to follow some of the consequences. He had been made (as he felt) the subject of a special revelation, and he wore his hat like a man in love. An angel had taken him by the hand and guided him to the shabby door which opens, it appeared, into an interior both splendid and austere. The scenic idea was magnificent when once you had embraced it--the dramatic form had a purity which made some others look ingloriously rough. It had the high dignity of the exact sciences, it was mathematical and architectural. It was full of the refreshment of calculation and construction, the incorruptibility of line and law. It was bare, but it was erect, it was poor, but it was noble; it reminded him of some sovereign famed for justice who should have lived in a palace despoiled. There was a fearful amount of concession in it, but what you kept had a rare intensity. You were perpetually throwing over the cargo to save the ship, but what a motion you gave her when you made her ride the waves--a motion as rhythmic as the dance of a goddess! Wayworth took long London walks and thought of these things--London poured into his ears the mighty hum of its suggestion. His imagination glowed and melted down material, his intentions multiplied and made the air a golden haze. He saw not only the thing he should do, but the next and the next and the next; the future opened before him and he seemed to walk on marble slabs. The more he tried the dramatic form the more he loved it, the more he looked at it the more he perceived in it. What he perceived in it indeed he now perceived everywhere; if he stopped, in the London dusk, before some flaring shop-window, the place immediately constituted itself behind footlights, became a framed stage for his figures. He hammered at these figures in his lonely lodging, he shaped them and he shaped their tabernacle; he was like a goldsmith chiselling a casket, bent over with the passion for perfection. When he was neither roaming the streets with his vision nor worrying his problem at his table, he was exchanging ideas on the general question with Mrs. Alsager, to whom he promised details that would amuse her in later and still happier hours. Her eyes were full of tears when he read her the last words of the finished work, and she murmured, divinely -"And now--to get it done, to get it done!""Yes, indeed--to get it done!" Wayworth stared at the fire, slowly rolling up his type-copy. "But that's a totally different part of the business, and altogether secondary.""But of course you want to be acted?"
"Of course I do--but it's a sudden descent. I want to intensely, but I'm sorry I want to.""It's there indeed that the difficulties begin," said Mrs. Alsager, a little off her guard.
"How can you say that? It's there that they end!""Ah, wait to see where they end!"
"I mean they'll now be of a totally different order," Wayworth explained. "It seems to me there can be nothing in the world more difficult than to write a play that will stand an all-round test, and that in comparison with them the complications that spring up at this point are of an altogether smaller kind.""Yes, they're not inspiring," said Mrs. Alsager; "they're discouraging, because they're vulgar. The other problem, the working out of the thing itself, is pure art.""How well you understand everything!" The young man had got up, nervously, and was leaning against the chimney-piece with his back to the fire and his arms folded. The roll of his copy, in his fist, was squeezed into the hollow of one of them. He looked down at Mrs.
Alsager, smiling gratefully, and she answered him with a smile from eyes still charmed and suffused. "Yes, the vulgarity will begin now," he presently added.
"You'll suffer dreadfully."
"I shall suffer in a good cause."
"Yes, giving THAT to the world! You must leave it with me, I must read it over and over," Mrs. Alsager pleaded, rising to come nearer and draw the copy, in its cover of greenish-grey paper, which had a generic identity now to him, out of his grasp. "Who in the world will do it?--who in the world CAN?" she went on, close to him, turning over the leaves. Before he could answer she had stopped at one of the pages; she turned the book round to him, pointing out a speech. "That's the most beautiful place--those lines are a perfection." He glanced at the spot she indicated, and she begged him to read them again--he had read them admirably before. He knew them by heart, and, closing the book while she held the other end of it, he murmured them over to her--they had indeed a cadence that pleased him--watching, with a facetious complacency which he hoped was pardonable, the applause in her face. "Ah, who can utter such lines as THAT?" Mrs. Alsager broke out; "whom can you find to do HER?""We'll find people to do them all!"
"But not people who are worthy."
"They'll be worthy enough if they're willing enough. I'll work with them--I'll grind it into them." He spoke as if he had produced twenty plays.
"Oh, it will be interesting!" she echoed.
"But I shall have to find my theatre first. I shall have to get a manager to believe in me.""Yes--they're so stupid!"