Love, say orderly people, can be fallen into by two methods: (1)through the desires, (2) through the imagination. And if the orderly people are English, they add that (1) is the inferior method, and characteristic of the South. It is inferior. Yet those who pursue it at all events know what they want; they are not puzzling to themselves or ludicrous to others; they do not take the wings of the morning and fly into the uttermost parts of the sea before walking to the registry office; they cannot breed a tragedy quite like Rickie's.
He is, of course, absurdly young--not twenty-one and he will be engaged to be married at twenty-three. He has no knowledge of the world; for example, he thinks that if you do not want money you can give it to friends who do. He believes in humanity because he knows a dozen decent people. He believes in women because he has loved his mother. And his friends are as young and as ignorant as himself. They are full of the wine of life. But they have not tasted the cup--let us call it the teacup--of experience, which has made men of Mr. Pembroke's type what they are. Oh, that teacup! To be taken at prayers, at friendship, at love, till we are quite sane, efficient, quite experienced, and quite useless to God or man. We must drink it, or we shall die. But we need not drink it always. Here is our problem and our salvation. There comes a moment--God knows when--at which we can say, "I will experience no longer. I will create. I will be an experience."But to do this we must be both acute and heroic. For it is not easy, after accepting six cups of tea, to throw the seventh in the face of the hostess. And to Rickie this moment has not, as yet, been offered.
Ansell, at the end of his third year, got a first in the Moral Science Tripos. Being a scholar, he kept his rooms in college, and at once began to work for a Fellowship. Rickie got a creditable second in the Classical Tripos, Part I., and retired to sallow lodgings in Mill bane, carrying with him the degree of B.A. and a small exhibition, which was quite as much as he deserved. For Part II. he read Greek Archaeology, and got a second. All this means that Ansell was much cleverer than Rickie.
As for the cow, she was still going strong, though turning a little academic as the years passed over her.
"We are bound to get narrow," sighed Rickie. He and his friend were lying in a meadow during their last summer term. In his incurable love for flowers he had plaited two garlands of buttercups and cow-parsley, and Ansell's lean Jewish face was framed in one of them. "Cambridge is wonderful, but--but it's so tiny. You have no idea--at least, I think you have no idea--how the great world looks down on it.""I read the letters in the papers."
"It's a bad look-out."
"How?"
"Cambridge has lost touch with the times."
"Was she ever intended to touch them?"
"She satisfies," said Rickie mysteriously, "neither the professions, nor the public schools, nor the great thinking mass of men and women. There is a general feeling that her day is over, and naturally one feels pretty sick.""Do you still write short stories?"
"Because your English has gone to the devil. You think and talk in Journalese. Define a great thinking mass."Rickie sat up and adjusted his floral crown.
"Estimate the worth of a general feeling."
Silence.
"And thirdly, where is the great world?"
"Oh that--!"
"Yes. That," exclaimed Ansell, rising from his couch in violent excitement. "Where is it? How do you set about finding it? How long does it take to get there? What does it think? What does it do? What does it want? Oblige me with specimens of its art and literature." Silence. "Till you do, my opinions will be as follows: There is no great world at all, only a little earth, for ever isolated from the rest of the little solar system. The earth is full of tiny societies, and Cambridge is one of them. All the societies are narrow, but some are good and some are bad--just as one house is beautiful inside and another ugly. Observe the metaphor of the houses: I am coming back to it. The good societies say, `I tell you to do this because I am Cambridge.'
The bad ones say, `I tell you to do that because I am the great world, not because I am 'Peckham,' or `Billingsgate,' or `Park Lane,' but `because I am the great world.' They lie. And fools like you listen to them, and believe that they are a thing which does not exist and never has existed, and confuse 'great,' which has no meaning whatever, with 'good,' which means salvation. Look at this great wreath: it'll be dead tomorrow. Look at that good flower: it'll come up again next year. Now for the other metaphor. To compare the world to Cambridge is like comparing the outsides of houses with the inside of a house. No intellectual effort is needed, no moral result is attained. You only have to say, 'Oh, what a difference!' and then come indoors again and exhibit your broadened mind.""I never shall come indoors again," said Rickie. "That's the whole point." And his voice began to quiver. "It's well enough for those who'll get a Fellowship, but in a few weeks I shall go down. In a few years it'll be as if I've never been up. It matters very much to me what the world is like. I can't answer your questions about it; and that's no loss to you, but so much the worse for me. And then you've got a house--not a metaphorical one, but a house with father and sisters. I haven't, and never shall have. There'll never again be a home for me like Cambridge.
I shall only look at the outside of homes. According to your metaphor, I shall live in the street, and it matters very much to me what I find there.""You'll live in another house right enough," said Ansell, rather uneasily. "Only take care you pick out a decent one. I can't think why you flop about so helplessly, like a bit of seaweed. In four years you've taken as much root as any one.""Where?"