The two girls were waiting in their room alone, Emma Jane in rather a tearful state of mind. She kept thinking that it was the last day that they would be together in this altogether sweet and close intimacy. The beginning of the end seemed to have dawned, for two positions had been offered Rebecca by Mr. Morrison the day before: one in which she would play for singing and calisthenics, and superintend the piano practice of the younger girls in a boarding-school; the other an assistant's place in the Edgewood High School. Both were very modest as to salary, but the former included educational advantages that Miss Maxwell thought might be valuable.
Rebecca's mood had passed from that of excitement into a sort of exaltation, and when the first bell rang through the corridors announcing that in five minutes the class would proceed in a body to the church for the exercises, she stood motionless and speechless at the window with her hand on her heart.
"It is coming, Emmie," she said presently; "do you remember in The Mill on the Floss, when Maggie Tulliver closed the golden gates of childhood behind her? I can almost see them swing; almost hear them clang; and I can't tell whether I am glad or sorry."
"I shouldn't care how they swung or clanged," said Emma Jane, "if only you and I were on the same side of the gate; but we shan't be, I know we shan't!"
"Emmie, don't dare to cry, for I'm just on the brink myself! If only you were graduating with me; that's my only sorrow! There! I hear the rumble of the wheels! People will be seeing our grand surprise now! Hug me once for luck, dear Emmie; a careful hug, remembering our butter-muslin frailty!"
Ten minutes later, Adam Ladd, who had just arrived from Portland and was wending his way to the church, came suddenly into the main street and stopped short under a tree by the wayside, riveted to the spot by a scene of picturesque loveliness such as his eyes had seldom witnessed before. The class of which Rebecca was president was not likely to follow accepted customs. Instead of marching two by two from the seminary to the church, they had elected to proceed thither by royal chariot.
A haycart had been decked with green vines and bunches of long-stemmed field daisies, those gay darlings of New England meadows. Every inch of the rail, the body, even the spokes, all were twined with yellow and green and white. There were two white horses, flower-trimmed reins, and in the floral bower, seated on maple boughs, were the twelve girls of the class, while the ten boys marched on either side of the vehicle, wearing buttonhole bouquets of daisies, the class flower.
Rebecca drove, seated on a green-covered bench that looked not unlike a throne. No girl clad in white muslin, no happy girl of seventeen, is plain; and the twelve little country maids, from the vantage ground of their setting, looked beautiful, as the June sunlight filtered down on their uncovered heads, showing their bright eyes, their fresh cheeks, their smiles, and their dimples.
Rebecca, Adam thought, as he took off his hat and saluted the pretty panorama,--Rebecca, with her tall slenderness, her thoughtful brow, the fire of young joy in her face, her fillet of dark braided hair, might have been a young Muse or Sibyl; and the flowery hayrack, with its freight of blooming girlhood, might have been painted as an allegorical picture of The Morning of Life. It all passed him, as he stood under the elms in the old village street where his mother had walked half a century ago, and he was turning with the crowd towards the church when he heard a little sob. Behind a hedge in the garden near where he was standing was a forlorn person in white, whose neat nose, chestnut hair, and blue eyes he seemed to know. He stepped inside the gate and said, "What's wrong, Miss Emma?"