More fortifications, more soldiering and drumming, more basins of soup, more little loaves of bread, more bottles of wine, more caraffes of brandy, more time for refreshment. Everything good, and everything ready. Bright, unsubstantial-looking, scenic sort of station. People waiting. Houses, uniforms, beards, moustaches, some sabots, plenty of neat women, and a few old-visaged children.
Unless it be a delusion born of my giddy flight, the grown-up people and the children seem to change places in France. In general, the boys and girls are little old men and women, and the men and women lively boys and girls.
Bugle, shriek, flight resumed. Monied Interest has come into my carriage. Says the manner of refreshing is 'not bad,' but considers it French. Admits great dexterity and politeness in the attendants. Thinks a decimal currency may have something to do with their despatch in settling accounts, and don't know but what it's sensible and convenient. Adds, however, as a general protest, that they're a revolutionary people - and always at it.
Ramparts, canals, cathedral, river, soldiering and drumming, open country, river, earthenware manufactures, Creil. Again ten minutes. Not even Demented in a hurry. Station, a drawing-room with a verandah: like a planter's house. Monied Interest considers it a band-box, and not made to last. Little round tables in it, at one of which the Sister Artists and attendant Mysteries are established with Wasp and Zamiel, as if they were going to stay a week.
Anon, with no more trouble than before, I am flying again, and lazily wondering as I fly. What has the South-Eastern done with all the horrible little villages we used to pass through, in the DILIGENCE? What have they done with all the summer dust, with all the winter mud, with all the dreary avenues of little trees, with all the ramshackle postyards, with all the beggars (who used to turn out at night with bits of lighted candle, to look in at the coach windows), with all the long-tailed horses who were always biting one another, with all the big postilions in jack-boots - with all the mouldy cafes that we used to stop at, where a long mildewed table-cloth, set forth with jovial bottles of vinegar and oil, and with a Siamese arrangement of pepper and salt, was never wanting? Where are the grass-grown little towns, the wonderful little market-places all unconscious of markets, the shops that nobody kept, the streets that nobody trod, the churches that nobody went to, the bells that nobody rang, the tumble-down old buildings plastered with many-coloured bills that nobody read? Where are the two-and-twenty weary hours of long, long day and night journey, sure to be either insupportably hot or insupportably cold? Where are the pains in my bones, where are the fidgets in my legs, where is the Frenchman with the nightcap who never WOULD have the little coupe-window down, and who always fell upon me when he went to sleep, and always slept all night snoring onions?
A voice breaks in with 'Paris! Here we are!'