书城公版The Man of the Forest
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第10章 CHAPTER III(3)

"We was," drawled John. "But to-day, bein' the end of our month, we got our pay an' quit. Beasley sure was sore.""Why'd you knock off?"

John essayed no reply, and his brothers all had that quiet, suppressed look of knowledge under restraint.

"Listen to what I come to tell you, then you'll talk," went on Dale. And hurriedly he told of Beasley's plot to abduct Al Auchincloss's niece and claim the dying man's property.

When Dale ended, rather breathlessly, the Mormon boys sat without any show of surprise or feeling. John, the eldest, took up a stick and slowly poked the red embers of the fire, ****** the white sparks fly.

"Now, Milt, why'd you tell us thet?" he asked, guardedly.

"You're the only friends I've got," replied Dale. "It didn't seem safe for me to talk down in the village. I thought of you boys right off. I ain't goin' to let Snake Anson get that girl. An' I need help, so I come to you.""Beasley's strong around Pine, an' old Al's weakenin'.

Beasley will git the property, girl or no girl," said John.

"Things don't always turn out as they look. But no matter about that. The girl deal is what riled me. . . . She's to arrive at Magdalena on the sixteenth, an' take stage for Snowdrop. . . . Now what to do? If she travels on that stage I'll be on it, you bet. But she oughtn't to be in it at all.

. . . Boys, somehow I'm goin' to save her. Will you help me?

I reckon I've been in some tight corners for you. Sure, this 's different. But are you my friends? You know now what Beasley is. An' you're all lost at the hands of Snake Anson's gang. You've got fast hosses, eyes for trackin', an' you can handle a rifle. You're the kind of fellows I'd want in a tight pinch with a bad gang. Will you stand by me or see me go alone?"Then John Beeman, silently, and with pale face, gave Dale's hand a powerful grip, and one by one the other brothers rose to do likewise. Their eyes flashed with hard glint and a strange bitterness hovered around their thin lips.

"Milt, mebbe we know what Beasley is better 'n you," said John, at length. "He ruined my father. He's cheated other Mormons. We boys have proved to ourselves thet he gets the sheep Anson's gang steals. . . . An' drives the herds to Phenix! Our people won't let us accuse Beasley. So we've suffered in silence. My father always said, let some one else say the first word against Beasley, an' you've come to us!"Roy Beeman put a hand on Dale's shoulder. He, perhaps, was the keenest of the brothers and the one to whom adventure and peril called most. He had been oftenest with Dale, on many a long trail, and he was the hardest rider and the most relentless tracker in all that range country.

"An' we're goin' with you," he said, in a strong and rolling voice.

They resumed their seats before the fire. John threw on more wood, and with a crackling and sparkling the blaze curled up, fanned by the wind. As twilight deepened into night the moan in the pines increased to a roar. A pack of coyotes commenced to pierce the air in staccato cries.

The five young men conversed long and earnestly, considering, planning, rejecting ideas advanced by each.

Dale and Roy Beeman suggested most of what became acceptable to all. Hunters of their type resembled explorers in slow and deliberate attention to details. What they had to deal with here was a situation of unlimited possibilities; the horses and outfit needed; a long detour to reach Magdalena unobserved; the rescue of a strange girl who would no doubt be self-willed and determined to ride on the stage -- the rescue forcible, if necessary; the fight and the inevitable pursuit; the flight into the forest, and the safe delivery of the girl to Auchincloss.

"Then, Milt, will we go after Beasley?" queried Roy Beeman, significantly.

Dale was silent and thoughtful.

"Sufficient unto the day!" said John. "An, fellars, let's go to bed."They rolled out their tarpaulins, Dale sharing Roy's blankets, and soon were asleep, while the red embers slowly faded, and the great roar of wind died down, and the forest stillness set in.