书城公版The Freelands
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第74章 CHAPTER XXV(3)

Passing out of the house, sunk in its Monday hush, no vestige of a Bigwig left, Felix came to that new-walled mound where the old house of the Moretons had been burned 'by soldiers from Tewkesbury and Gloucester,' as said the old chronicles dear to the heart of Clara. And on the wall he sat him down. Above, in the uncut grass, he could see the burning blue of a peacock's breast, where the heraldic bird stood digesting grain in the repose of perfect breeding, and below him gardeners were busy with the gooseberries.

'Gardeners and the gooseberries of the great!' he thought. 'Such is the future of our Land.' And he watched them. How methodically they went to work! How patient and well-done-for they looked!

After all, was it not the ideal future? Gardeners, gooseberries, and the great! Each of the three content in that station of life into which--! What more could a country want? Gardeners, gooseberries, and the great! The phrase had a certain hypnotic value. Why trouble? Why fuss? Gardeners, gooseberries, and the great! A perfect land! A land dedicate to the week-end!

Gardeners, goose--! And suddenly he saw that he was not alone.

Half hidden by the angle of the wall, on a stone of the foundations, carefully preserved and nearly embedded in the nettles which Clara had allowed to grow because they added age to the appearance, was sitting a Bigwig. One of the Settleham faction, he had impressed Felix alike by his reticence, the steady sincerity of his gray eyes, a countenance that, beneath a ****** and delicate urbanity, had still in it something of the best type of schoolboy.

'How comes he to have stayed?' he mused. 'I thought they always fed and scattered!' And having received an answer to his salutation, he moved across and said:

"I imagined you'd gone."

"I've been having a look round. It's very jolly here. My affections are in the North, but I suppose this is pretty well the heart of England."

"Near 'the big song,'" Felix answered. "There'll never be anything more English than Shakespeare, when all's said and done." And he took a steady, sidelong squint at his companion. 'This is another of the types I've been looking for,' he reflected. The peculiar 'don't-quite-touch-me' accent of the aristocrat--and of those who would be--had almost left this particular one, as though he secretly aspired to rise superior and only employed it in the nervousness of his first greetings. 'Yes,' thought Felix, 'he's just about the very best we can do among those who sit upon 'the Land.' I would wager there's not a better landlord nor a better fellow in all his class, than this one. He's chalks away superior to Malloring, if I know anything of faces--would never have turned poor Tryst out. If this exception were the rule! And yet--! Does he, can he, go quite far enough to meet the case? If not--what hope of regeneration from above? Would he give up his shooting?

Could he give up feeling he's a leader? Would he give up his town house and collecting whatever it is he collects? Could he let himself sink down and merge till he was just unseen leaven of good-fellowship and good-will, working in the common bread?' And squinting at that sincere, clean, charming, almost fine face, he answered himself unwillingly: 'He could not!' And suddenly he knew that he was face to face with the tremendous question which soon or late confronts all thinkers. Sitting beside him--was the highest product of the present system! With its charm, humanity, courage, chivalry up to a point, its culture, and its cleanliness, this decidedly rare flower at the end of a tall stalk, with dark and tortuous roots and rank foliage, was in a sense the sole justification of power wielded from above. And was it good enough?

Was it quite good enough? Like so many other thinkers, Felix hesitated to reply. If only merit and the goods of this world could be finally divorced! If the reward of virtue were just men's love and an unconscious self-respect! If only 'to have nothing' were the highest honour! And yet, to do away with this beside him and put in its place--What? No kiss-me-quick change had a chance of producing anything better. To scrap the long growth of man and start afresh was but to say: 'Since in the past the best that man has done has not been good enough, I have a perfect faith in him for the future!' No! That was a creed for archangels and other extremists. Safer to work on what we had! And he began:

"Next door to this estate I'm told there's ten thousand acres almost entirely grass and covert, owned by Lord Baltimore, who lives in Norfolk, London, Cannes, and anywhere else that the whim takes him. He comes down here twice a year to shoot. The case is extremely common. Surely it spells paralysis. If land is to be owned at all in such great lumps, owners ought at least to live on the lumps, and to pass very high examinations as practical farmers.

They ought to be the life and soul, the radiating sun, of their little universes; or else they ought to be cleared out. How expect keen farming to start from such an example? It really looks to me as if the game laws would have to go." And he redoubled his scrutiny of the Bigwig's face. A little furrow in its brow had deepened visibly, but nodding, he said:

"The absentee landlord is a curse, of course. I'm afraid I'm a bit of a one myself. And I'm bound to say--though I'm keen on shooting--if the game laws were abolished, it might do a lot."

"YOU wouldn't move in that direction, I suppose?"

The Bigwig smiled--charming, rather whimsical, that smile.

"Honestly, I'm not up to it. The spirit, you know, but the flesh--!

My line is housing and wages, of course."

'There it is,' thought Felix. 'Up to a point, they'll move--not up to THE point. It's all fiddling. One won't give up his shooting; another won't give up his power; a third won't give up her week-ends; a fourth won't give up his *******. Our interest in the thing is all lackadaisical, a kind of bun-fight of pet notions.

There's no real steam.' And abruptly changing the subject, he talked of pictures to the pleasant Bigwig in the sleepy afternoon.

Of how this man could paint, and that man couldn't. And in the uncut grass the peacock slowly moved, displaying his breast of burning blue; and below, the gardeners worked among the gooseberries.