Mr. H. S. Marks, Mr. J. D. Watson, Mr. Walter Crane, have produced specimens of nursery literature which, for refinement of colouring and beauty of ornament, cannot easily be surpassed. The equipments of the last named, especially, are of a very high order. He began as a landscapist on wood; he now chiefly devotes himself to the figure; and he seems to have the decorative art at his fingers' ends as a natural gift. Such work as "King Luckieboy's Party" was a revelation in the way of toy books, while the "Baby's Opera" and "Baby's Bouquet" are petits chefs d'oeuvre, of which the sagacious collector will do well to secure copies, not for his nursery, but his library. Nor can his "Mrs. Mundi at Home" be neglected by the curious in quaint and graceful invention. {14} Another book--the "Under the Window" of Miss Kate Greenaway--comes within the same category. Since Stothard, no one has given us such a clear-eyed, soft-faced, happy-hearted childhood; or so poetically "apprehended"the coy reticences, the simplicities, and the small solemnities of little people. Added to this, the old-world costume in which she usually elects to clothe her characters, lends an arch piquancy of contrast to their innocent rites and ceremonies. Her taste in tinting, too, is very sweet and spring-like; and there is a fresh, pure fragrance about all her pictures as of new-gathered nosegays;or, perhaps, looking to the fashions that she favours, it would be better to say "bow-pots." But the latest "good genius" of this branch of book-illustrating is Mr. Randolph Caldecott, a designer assuredly of the very first order. There is a spontaneity of fun, an unforced invention about everything he does, that is infinitely entertaining. Other artists draw to amuse us; Mr. Caldecott seems to draw to amuse himself,--and this is his charm. One feels that he must have chuckled inwardly as he puffed the cheeks of his "Jovial Huntsmen;" or sketched that inimitably complacent dog in the "House that Jack Built;" or exhibited the exploits of the immortal "train-band captain" of "famous London town." This last is his masterpiece. Cowper himself must have rejoiced at it,--and Lady Austen. There are two sketches in this book--they occupy the concluding pages--which are especially fascinating. On one, John Gilpin, in a forlorn and flaccid condition, is helped into the house by the sympathising (and very attractive) Betty; on the other he has donned his slippers, refreshed his inner man with a cordial, and over the heaving shoulder of his "spouse," who lies dissolved upon his martial bosom, he is taking the spectators into his confidence with a wink worthy of the late Mr. Buckstone. Nothing more genuine, more heartily laughable, than this set of designs has appeared in our day. And Mr. Caldecott has few limitations. Not only does he draw human nature admirably, but he draws animals and landscapes equally well, so one may praise him without reserve. Though not children's books, mention should here be made of his "Bracebridge Hall," and "Old Christmas," the illustrations to which are the nearest approach to that beau-ideal, perfect sympathy between the artist and the author, with which the writer is acquainted. The cut on page 173 is from the former of these works.
Many of the books above mentioned are printed in colours by various processes, and they are not always engraved on wood. But--to close the account of modern wood-engraving--some brief reference must be made to what is styled the "new American School," as exhibited for the most part in "Scribner's" and other Transatlantic magazines.