Robina told him that she had done talking. She gave him her reasons for having done talking. If talking to him would be of any use she would often have felt it her duty to talk to him, not only with regard to his stupidity and selfishness and general aggravatingness, but with reference to his character as a whole. Her excuse for not talking to him was the crushing conviction of the hopelessness of ever effecting any improvement in him. Were it otherwise - "Seriously speaking," said ****, now escaped from his corner, "something, I take it, has gone wrong with the stove, and you want a sort of general smith."
He opened the kitchen door and looked in.
"Great Scott!" he said. "What was it--an earthquake?"
I looked in over his shoulder.
"But it could not have been an earthquake," I said. "We should have felt it."
"It is not an earthquake," explained Robina. "It is your youngest daughter's notion of ****** herself useful."
Robina spoke severely. I felt for the moment as if I had done it all myself. I had an uncle who used to talk like that. "Your aunt," he would say, regarding me with a reproachful eye, "your aunt can be, when she likes, the most trying woman to live with I have ever known." It would depress me for days. I would wonder whether I ought to speak to her about it, or whether I should be doing only harm.
"But how did she do it?" I demanded. "It is impossible that a mere child--where is the child?"
The parlour contained but Robina. I hurried to the door; **** was already half across the field. Veronica I could not see.
"We are ****** haste," **** shouted back, "in case it is early-closing day."
"I want Veronica!" I shouted.
"What?" shouted ****.
"Veronica!" I shouted with my hands to my mouth.
"Yes!" shouted ****. "She's on ahead."
It was useless screaming any more. He was now climbing the stile.
"They always take each other's part, those two," sighed Robina.
"Yes, and you are just as bad," I told her; "if he doesn't, you do.
And then if it's you they take your part. And you take his part.
And he takes both your parts. And between you all I am just getting tired of bringing any of you up." (Which is the truth.) "How did this thing happen?"
"I had got everything finished," answered Robina. "The duck was in the oven with the pie; the peas and potatoes were boiling nicely. I was feeling hot, and I thought I could trust Veronica to watch the things for awhile. She promised not to play King Alfred."
"What's that?" I asked.
"You know," said Robina--"King Alfred and the cakes. I left her one afternoon last year when we were on the houseboat to watch some buns.
When I came back she was sitting in front of the fire, wrapped up in the table-cloth, with ****'s banjo on her knees and a cardboard crown upon her head. The buns were all burnt to a cinder. As I told her, if I had known what she wanted to be up to I could have given her some extra bits of dough to make believe with. But oh, no! if you please, that would not have suited her at all. It was their being real buns, and my being real mad, that was the best part of the game.
She is an uncanny child."
"What was the game this time?" I asked.
"I don't think it was intended for a game--not at first," answered Robina. "I went into the wood to pick some flowers for the table. I was on my way back, still at some distance from the house, when I heard quite a loud report. I took it for a gun, and wondered what anyone would be shooting in July. It must be rabbits, I thought.
Rabbits never seem to have any time at all to themselves, poor things. And in consequence I did not hurry myself. It must have been about twenty minutes later when I came in sight of the house.
Veronica was in the garden deep in confabulation with an awful-looking boy, dressed in nothing but rags. His face and hands were almost black. You never saw such an object. They both seemed very excited. Veronica came to meet me; and with a face as serious as mine is now, stood there and told me the most barefaced pack of lies you ever heard. She said that a few minutes after I had gone, robbers had come out of the wood--she talked about them as though there had been hundreds--and had with the most awful threats demanded to be admitted into the house. Why they had not lifted the latch and walked in, she did not explain. It appeared this cottage was their secret rendezvous, where all their treasure lies hidden. Veronica would not let them in, but shouted for help: and immediately this awful-looking boy, to whom she introduced me as 'Sir Robert' something or another, had appeared upon the scene; and then there had followed--well, I have not the patience to tell you the whole of the rigmarole they had concocted. The upshot of it was that the robbers, defeated in their attempt to get into the house, had fired a secret mine, which had exploded in the kitchen. If I did not believe them I could go into the kitchen and see for myself. Say what I would, that is the story they both stuck to. It was not till I had talked to Veronica for a quarter of an hour, and had told her that you would most certainly communicate with the police, and that she would have to convince a judge and jury of the truth of her story, that I got any sense at all out of her."
"What was the sense you did get out of her?" I asked.
"Well, I am not sure even now that it is the truth," said Robina--"the child does not seem to possess a proper conscience. What she will grow up like, if something does not happen to change her, it is awful to think."
"I don't want to appear a hustler," I said, "and maybe I am mistaken in the actual time, but it feels to me like hours since I asked you how the catastrophe really occurred."
"I am telling you," explained Robina, hurt. "She was in the kitchen yesterday when I mentioned to Harry's mother, who had looked in to help me wash up, that the kitchen chimney smoked: and then she said--"
"Who said?" I asked.
"Why, she did," answered Robina, "Harry's mother. She said that very often a pennyworth of gunpowder--"