The political and religious condition of the Peruvian empire is very clearly conceived and stated by Garcilasso. Without ****** due allowance for that mysterious earlier civilisation, older than the Incas, whose cyclopean buildings are the wonder of travellers, Garcilasso attributes the introduction of civilisation to his own ancestors. Allowing for what is confessedly mythical in his narrative, it must be admitted that he has a firm grasp of what the actual history must have been. He recognises a period of savagery before the Incas, a condition of the rudest barbarism, which still existed on the fringes and mountain recesses of the empire. The religion of that period was mere magic and totemism. From all manner of natural objects, but chiefly from beasts and birds, the various savage stocks of Peru claimed descent, and they revered and offered sacrifice to their totemic ancestors. Garcilasso adds, what is almost incredible, that the Indians tamely permitted themselves to be eaten by their totems, when these were carnivorous animals. They did this with the less reluctance as they were cannibals, and accustomed to breed children for the purposes of the cuisine from captive women taken in war. Among the huacas or idols, totems, fetishes and other adorable objects of the Indians, worshipped before and retained after the introduction of the Inca sun-totem and solar cult, Garcilasso names trees, hills, rocks, caves, fountains, emeralds, pieces of jasper, tigers, lions, bears, foxes, monkeys, condors, owls, lizards, toads, frogs, sheep, maize, the sea, "for want of larger gods, crabs" and bats. The bat was also the totem of the Zotzil, the chief family of the Cakchiquels of Guatemala, and the most high god of the Cakchiquels was worshipped in the shape of a bat. We are reminded of religion as it exists in Samoa. The explanation of Blas Valera was that in each totem (pacarissa) the Indians adored the devil.
Com. Real., vol. i., chap. ix., x. xi. pp. 47-53.
Cieza de Leon, xii., xv., xix., xxi., xxiii., xxvi., xxviii., xxxii. Cieza is speaking of people in the valley of Cauca, in New Granada.
Athwart this early religion of totems and fetishes came, in Garcilasso's narrative, the purer religion of the Incas, with what he regards as a philosophic development of a belief in a Supreme Being. According to him, the Inca sun-worship was really a totemism of a loftier character. The Incas "knew how to choose gods better than the Indians". Garcilasso's theory is that the earlier totems were selected chiefly as distinguishing marks by the various stocks, though, of course, this does not explain why the animals or other objects of each family were worshipped or were regarded as ancestors, and the blood-connections of the men who adored them. The Incas, disdaining crabs, lizards, bats and even serpents and lions, "chose" the sun. Then, just like the other totemic tribes, they feigned to be of the blood and lineage of the sun.
This fable is, in brief, the Inca myth of the origin of civilisation and of man, or at least of their breed of men. As M.
Reville well remarks, it is obvious that the Inca claim is an adaptation of the local myth of Lake Titicaca, the inland sea of Peru. According to that myth, the Children of the Sun, the ancestors of the Incas, came out of the earth (as in Greek and African legends) at Lake Titicaca, or reached its shores after wandering from the hole or cave whence they first emerged. The myth, as adapted by the Incas, takes for granted the previous existence of mankind, and, in some of its forms, the Inca period is preceded by the deluge.
Of the Peruvian myth concerning the origin of things, the following account is given by a Spanish priest, Christoval de Moluna, in a report to the Bishop of Cuzco in 1570. The story was collected from the lips of ancient Peruvians and old native priests, who again drew their information in part from the painted records reserved in the temple of the sun near Cuzco. The legend begins with a deluge myth; a cataclysm ended a period of human existence.
All mankind perished except a man and woman, who floated in a box to a distance of several hundred miles from Cuzco. There the creator commanded them to settle, and there, like Pund-jel in Australia, he made clay images of men of all races, attired in their national dress, and then animated them. They were all fashioned and painted as correct models, and were provided with their national songs and with seed-corn. They then were put into the earth, and emerged all over the world at the proper places, some (as in Africa and Greece) coming out of fountains, some out of trees, some out of caves. For this reason they made huacas (worshipful objects or fetishes) of the trees, caves and fountains.