As he disappeared, a lady came slowly and pensively forward from the outer door; lifted her eyes as she neared the table, saw a vacant chair, and glided into it, revealing to Zoe Vizard and her party a noble face, not so splendid and animated as on the stage, for its expression was slumbering; still it was the face of Ina Klosking.
No transformation trick was ever done more neatly and smoothly than this, in which, nevertheless, the performers acted without concert.
Severne fled out, and the Klosking came slowly in; yet no one had time to take the seat, she glided into it so soon after Severne had vacated it.
Zoe Vizard and her friends stared after the flying Severne, then stared at the newcomer, and then turned round and stared at each other, in mutual amazement and inquiry.
What was the meaning of this double incident, that resembled a conjurer's trick? Having looked at her companions, and seen only her own surprise reflected, Zoe Vizard fixed her eyes, like burning-glasses, upon Ina Klosking.
Then that lady thickened the mystery. She seemed very familiar with the man Severne had been so familiar with.
That man contributed his share to the multiplying mystery. He had a muddy complexion, hair the color of dirt, a long nose, a hatchet face, mean little eyes, and was evidently not a gentleman. He wore a brown velveteen shooting-coat, with a magenta tie that gave Zoe a pain in the eye. She had already felt sorry to see her Severne was acquainted with such a man.
He seemed to her the _ne plus ultra_ of vulgarity; and now, behold, the artist, the woman she had so admired, was equally familiar with the same objectionable person.
To appreciate the hopeless puzzle of Zoe Vizard, the reader must be on his guard against his own knowledge. He knows that Severne and Ashmead were two Bohemians, who had struck up acquaintance, all in a minute, that very evening. But Zoe had not this knowledge, and she could not possibly divine it. The whole thing was presented to her senses thus: a vulgar man, with a brown velveteen shooting-coat and a red-hot tie was a mutual friend of the gentlemanly Severne and the dignified Klosking. Severne left the mutual friend; Mademoiselle Klosking joined the mutual friend;and there she sat, where Severne had sat a moment ago, by the side of their mutual friend.
All manner of thoughts and surmises thronged upon Zoe Vizard; but each way of accounting for the mystery contradicted some plain fact or other;so she was driven at last to a woman's remedy. She would wait, and watch.
Severne would probably come back, and somehow furnish the key. Meantime her eye was not likely to leave the Klosking, nor her ear to miss a syllable the Klosking might utter.
She whispered to Vizard, in a very peculiar tone, "I will play at this table," and stepped up to it, with the word.
The duration of such beauty as Zoe's is proverbially limited; but the limit to its power, while it does last, has not yet been discovered. It is a fact that, as soon as she came close to the table two male gamblers looked up, saw her, wondered at her, and actually jumped up and offered their seats: she made a courteous inclination of the head, and installed Miss Maitland in one seat, without reserve. She put a little gold on the table, and asked Miss Maitland, in a whisper, to play for her. She herself had neither eye nor ear except for Ina Klosking. That lady was having a discussion, _sotto voce,_ with Ashmead; and if she had been one of your mumblers whose name is legion, even Zoe's swift ear could have caught little or nothing. But when a voice has volume, and the great habit of articulation has been brought to perfection, the words travel surprisingly.
Zoe heard the lady say to Ashmead, scarcely above her breath, "Well, but if he requested you to bet for him, how can he blame you?"Zoe could not catch Ashmead's reply, but it was accompanied by a shake of the head; so she understood him to object.
Then, after a little more discussion, Ina Klosking said, "What money have you of mine?"Ashmead produced some notes.
"Very well," said the Klosking. "Now, I shall take my twenty-five pounds, and twenty-five pounds of his, and play. When he returns, we shall, at all events, have twenty-five pounds safe for him. I take the responsibility.""Oh," thought Zoe; "then he _is_ coming back. Ah, I shall see what all this means." She felt sick at heart.
Zoe Vizard was on the other side, but not opposite Mademoiselle Klosking;she was considerably to the right hand; and as the new-comer was much occupied, just at first, with Ashmead, who sat on her left, Zoe had time to dissect her, which she did without mercy. Well, her costume was beautifully made, and fitted on a symmetrical figure; but as to color, it was neutral--a warm French gray, and neither courted admiration nor risked censure: it was unpretending. Her lace collar was valuable, but not striking. Her hair was beautiful, both in gloss and color, and beautifully, but neatly, arranged. Her gloves and wristbands were perfect.
As every woman aims at appearance, openly or secretly, and every other woman knows she does, Zoe did not look at this meek dress with male simplicity, unsuspicious of design, but asked herself what was the leading motive; and the question was no sooner asked than answered. "She has dressed for her golden hair and her white throat. Her hair, her deep gray eyes, and her skin, are just like a flower: she has dressed herself as the modest stalk. She is an artist."At the same table were a Russian princess, an English countess, and a Bavarian duchess--all well dressed, upon the whole. But their dresses showed off their dresses; the Klosking's showed off herself. And there was a native dignity, and, above all, a wonderful seemliness, about the Klosking that inspired respect. Dress and deportment were all of a piece--decent and deep.