"The legend of this place," said Paul, glancing at the long brown lashes and oval outline of the cheek so near his own, "is ******, yet affecting. A cruel, remorseless, but fascinating Hexie was once loved by a ****** shepherd. He had never dared to syllable his hopeless affection, or claim from her a syllabled--perhaps Ishould say a one-syllabled--reply. He had followed her from remote lands, dumbly worshiping her, building in his foolish brain an air-castle of happiness, which by reason of her magic power she could always see plainly in his eyes. And one day, beguiling him in the depths of the forest, she led him to a fair-seeming castle, and, bidding him enter its portals, offered to show him a realization of his dream. But, lo! even as he entered the stately corridor it seemed to crumble away before him, and disclosed a hideous abyss beyond, in which the whole of that goodly palace lay in heaped and tangled ruins--the fitting symbol of his wrecked and shattered hopes."She drew back a little way from him, but still holding on to the top of the broken wall with one slim gauntleted hand, and swung herself to one side, while she surveyed him with smiling, parted lips and conscious eyelids. He promptly covered her hand with his own, but she did not seem to notice it.
"That is not the story," she said, in a faint voice that even her struggling sauciness could not make steadier. "The true story is called 'The Legend of the Goose-Girl of Strudle Bad, and the enterprising Gosling.' There was once a goose-girl of the plain who tried honestly to drive her geese to market, but one eccentric and willful gosling-- Mr. Hathaway! Stop--please--I beg you let me go!"He had caught her in his arms--the one encircling her waist, the other hand still grasping hers. She struggled, half laughing;yielded for a breathless moment as his lips brushed her cheek, and--threw him off. "There!" she said, "that will do: the story was not illustrated.""But, Yerba," he said, with passionate eagerness, "hear me--it is all God's truth.--I love you!"She drew back farther, shaking the dust of the wall from the folds of her habit. Then, with a lower voice and a paler cheek, as if his lips had sent her blood and utterance back to her heart, she said, "Come, let us go.""But not until you've heard me, Yerba."
"Well, then--I believe you--there!" she said, looking at him.
"You believe me?" he repeated eagerly, attempting to take her hand again.
She drew back still farther. "Yes," she said, "or I shouldn't be here now. There! that must suffice you. And if you wish me still to believe you, you will not speak of this again while we are out together. Come, let us go back to the horses."He looked at her with all his soul. She was pale, but composed, and--he could see--determined. He followed her without a word.
She accepted his hand to support her again down the slope without embarrassment or reminiscent emotion. The whole scene through which she had just passed might have been buried in the abyss and ruins behind her. As she placed her foot in his hand to remount, and for a moment rested her weight on his shoulder, her brown eyes met his frankly and without a tremor.
Nor was she content with this. As Paul at first rode on silently, his heart filled with unsatisfied yearning, she rallied him mischievously. Was it kind in him on this, their first day together, to sulk in this fashion? Was it a promise for their future excursions? Did he intend to carry this lugubrious visage through the Allee and up to the courtyard of the hotel to proclaim his sentimental condition to the world? At least, she trusted he would not show it to Milly, who might remember that this was only the SECOND TIME they had met each other. There was something so sweetly reasonable in this, and withal not without a certain hopefulness for the future, to say nothing of the half-mischievous, half-reproachful smile that accompanied it, that Paul exerted himself, and eventually recovered his lost gayety. When they at last drew up in the courtyard, with the flush of youth and exercise in their faces, Paul felt he was the object of envy to the loungers, and of fresh gossip to Strudle Bad. It struck him less pleasantly that two dark faces, which had been previously regarding him in the gloom of the corridor and vanished as he approached, reappeared some moments later in Yerba's salon as Don Caesar and Dona Anna, with a benignly different expression. Dona Anna especially greeted him with so much of the ostentatious archness of a confident and forgiving woman to a momentarily recreant lover, that he felt absurdly embarrassed in Yerba's presence. He was thinking how he could excuse himself, when he noticed a beautiful basket of flowers on the table and a tiny note bearing a baron's crest. Yerba had put it aside with--as it seemed to him at the moment--an almost too pronounced indifference--and an indifference that was strongly contrasted to Dona Anna's eagerly expressed enthusiasm over the offering, and her ultimate supplications to Paul and her brother to admire its beauties and the wonderful taste of the donor.
All this seemed so incongruous with Paul's feelings, and above all with the recollection of his scene with Yerba, that he excused himself from dining with the party, alleging an engagement with his old fellow-traveler the German officer, whose acquaintance he had renewed. Yerba did not press him; he even fancied she looked relieved. Colonel Pendleton was coming; Paul was not loath, in his present frame of mind, to dispense with his company. A conviction that the colonel's counsel was not the best guide for Yerba, and that in some vague way their interests were antagonistic, had begun to force itself upon him. He had no intention of being disloyal to her old guardian, but he felt that Pendleton had not been frank with him since his return from Rosario. Had he ever been so with HER? He sometimes doubted his disclaimer.