In 1764, he visited Scotland, and was warmly welcomed by his kinsman, the laird of Bonhill. In 1769, he published "The Adventures of an Atom," a stupid, foul, and scurrilous political satire, in which Lord Bute, having been his patron, was "lashed" in Smollett's usual style. In 1768, Smollett left England for ever.
He desired a consulship, but no consulship was found for him, which is not surprising. He died at Monte Nova, near Leghorn, in September (others say October) 1771. He had finished "Humphrey Clinker," which appeared a day or two before his death.
Thackeray thought "Humphrey Clinker" the most laughable book that ever was written. Certainly nobody is to be envied who does not laugh over the epistles of Winifred Jenkins. The book is too well known for analysis. The family of Matthew Bramble, Esq., are on their travels, with his nephew and niece, young Melford and Lydia Melford, with Miss Jenkins, and the squire's tart, greedy, and amorous old maid of a sister, Tabitha Bramble. This lady's persistent amours and mean avarice scarcely strike modern readers as amusing. Smollett gave aspects of his own character in the choleric, kind, benevolent Matthew Bramble, and in the patriotic and paradoxical Lieutenant Lismahago. Bramble, a gouty invalid, is as full of medical abominations as Smollett himself, as ready to fight, and as generous and open-handed. Probably the author shared Lismahago's contempt of trade, his dislike of the Union (1707), his fiery independence (yet he DOES marry Tabitha!), and those opinions in which Lismahago heralds some of the social notions of Mr.
Ruskin.
Melford is an honourable kind of "walking gentleman"; Lydia, though enamoured, is modest and dignified; Clinker is a worthy son of Bramble, with abundant good humour, and a pleasing vein of Wesleyan Methodism. But the grotesque spelling, rural vanity, and *****te of Winifred Jenkins, with her affection for her kitten, make her the most delightful of this wandering company. After beholding the humours and partaking of the waters of Bath, they follow Smollett's own Scottish tour, and each character gives his picture of the country which Smollett had left at its lowest ebb of industry and comfort, and found so much more prosperous. The book is a mine for the historian of manners and customs: the novel-reader finds Count Fathom metamorphosed into Mr. Grieve, an exemplary apothecary, "a sincere convert to virtue," and "unaffectedly pious."Apparently a wave of good-nature came over Smollett: he forgave everybody, his own relations even, and he reclaimed his villain. Apatron might have played with him. He mellowed in Scotland:
Matthew there became less tart, and more tolerant; an actual English Matthew would have behaved quite otherwise. "Humphrey Clinker" is an astonishing book, as the work of an exiled, poor, and dying man. None of his works leaves so admirable an impression of Smollett's virtues: none has so few of his less amiable qualities.
With the cadet of Bonhill, outworn with living, and with labour, died the burly, brawling, picturesque old English novel of humour and of the road. We have nothing notable in this manner, before the arrival of Mr. Pickwick. An exception will scarcely be made in the interest of Richard Cumberland, who, as Scott says, "has occasionally . . . become disgusting, when he meant to be humorous." Already Walpole had begun the new "Gothic romance," and the "Castle of Otranto," with Miss Burney's novels, was to lead up to Mrs. Radcliffe and Scott, to Miss Edgeworth and Miss Austen.