It did not do to condemn hurriedly. There had been those stripey, streaky creations of Monet's, which had turned out such trumps; and then the stippled school; and Gauguin. Why, even since the Post-Impressionists there had been one or two painters not to be sneezed at. During the thirty-eight years of his connoisseur's life, indeed, he had marked so many "movements," seen the tides of taste and technique so ebb and flow, that there was really no telling anything except that there was money to be made out of every change of fashion. This too might quite well be a case where one must subdue primordial instinct, or lose the market. He got up and stood before the picture, trying hard to see it with the eyes of other people.
Above the tomato blobs was what he took to be a sunset, till some one passing said: "He's got the airplanes wonderfully, don't you think!"Below the tomato blobs was a band of white with vertical black stripes, to which he could assign no meaning whatever, till some one else came by, murmuring: "What expression he gets with his foreground!" Expression? Of what? Soames went back to his seat.
The thing was "rich," as his father would have said, and he wouldn't give a damn for it. Expression! Ah! they were all Expressionists now, he had heard, on the Continent. So it was coming here too, was it? He remembered the first wave of influenza in 1887--or '8--hatched in China, so they said. He wondered where this--this Expressionism had been hatched. The thing was a regular disease!
He had become conscious of a woman and a youth standing between him and the "Future Town." Their backs were turned; but very suddenly Soames put his catalogue before his face, and drawing his hat forward, gazed through the slit between. No mistaking that back, elegant as ever though the hair above had gone grey. Irene! His divorced wife--Irene! And this, no doubt, was--her son--by that fellow Jolyon Forsyte--their boy, six months older than his own girl!
And mumbling over in his mind the bitter days of his divorce, he rose to get out of sight, but quickly sat down again. She had turned her head to speak to her boy; her profile was still so youthful that it made her grey hair seem powdery, as if fancy-dressed; and her lips were smiling as Soames, first possessor of them, had never seen them smile. Grudgingly he admitted her still beautiful and in figure almost as young as ever. And how that boy smiled back at her!
Emotion squeezed Soames' heart. The sight infringed his sense of justice. He grudged her that boy's smile--it went beyond what Fleur gave him, and it was undeserved. Their son might have been his son;Fleur might have been her daughter, if she had kept straight! He lowered his catalogue. If she saw him, all the better! A reminder of her conduct in the presence of her son, who probably knew nothing of it, would be a salutary touch from the finger of that Nemesis which surely must soon or late visit her! Then, half-conscious that such a thought was extravagant for a Forsyte of his age, Soames took out his watch. Past four! Fleur was late. She had gone to his niece Imogen Cardigan's, and there they would keep her smoking cigarettes and gossiping, and that. He heard the boy laugh, and say eagerly: "I say, Mum, is this by one of Auntie June's lame ducks?""Paul Post--I believe it is, darling."The word produced a little shock in Soames; he had never heard her use it. And then she saw him. His eyes must have had in them something of George Forsyte's sardonic look; for her gloved hand crisped the folds of her frock, her eyebrows rose, her face went stony. She moved on.
"It is a caution," said the boy, catching her arm again.
Soames stared after them. That boy was good-looking, with a Forsyte chin, and eyes deep-grey, deep in; but with something sunny, like a glass of old sherry spilled over him; his smile perhaps, his hair.
Better than they deserved--those two! They passed from his view into the next room, and Soames continued to regard the Future Town, but saw it not. A little smile snarled up his lips. He was despising the vehemence of his own feelings after all these years. Ghosts!
And yet as one grew old--was there anything but what was ghost-like left? Yes, there was Fleur! He fixed his eyes on the entrance. She was due; but she would keep him waiting, of course! And suddenly he became aware of a sort of human breeze--a short, slight form clad in a sea-green djibbah with a metal belt and a fillet binding unruly red-gold hair all streaked with grey. She was talking to the Gallery attendants, and something familiar riveted his gaze--in her eyes, her chin, her hair, her spirit--something which suggested a thin Skye terrier just before its dinner. Surely June Forsyte! His cousin June--and coming straight to his recess! She sat down beside him, deep in thought, took out a tablet, and made a pencil note. Soames sat unmoving. A confounded thing, cousinship! "Disgusting!" he heard her murmur; then, as if resenting the presence of an overhearing stranger, she looked at him. The worst had happened.
"Soames!"
Soames turned his head a very little.
"How are you?" he said. "Haven't seen you for twenty years.""No. Whatever made you come here?""My sins," said Soames. "What stuff!"
"Stuff? Oh, yes--of course; it hasn't arrived yet.
"It never will," said Soames; "it must be ****** a dead loss.""Of course it is.""How d'you know?"
"It's my Gallery."
Soames sniffed from sheer surprise.
"Yours? What on earth makes you run a show like this?""I don't treat Art as if it were grocery."Soames pointed to the Future Town. "Look at that! Who's going to live in a town like that, or with it on his walls?"June contemplated the picture for a moment.
"It's a vision," she said.
"The deuce!"
There was silence, then June rose. 'Crazylooking creature!' he thought.
"Well," he said, "you'll find your young stepbrother here with a woman I used to know. If you take my advice, you'll close this exhibition."June looked back at him. "Oh! You Forsyte!" she said, and moved on.