The procession was quickly formed. Mr. Carr, alive only to the actual business that had brought him there, at once took possession of Fairfax, and began to disclose his plans for the working of the mine, occasionally halting to look at the work already done in the ditches, and to examine the field of his future operations.
Fairfax, not displeased at being thus relieved of a lighter attendance on Mr. Carr's daughters, nevertheless from time to time cast a paternal glance backwards upon their escorts, who had each seized a handle of the two trunks, and were carrying them in couples at the young ladies' side. The occupation did not offer much ******* for easy gallantry, but no sign of discomfiture or uneasiness was visible in the grateful faces of the young men. The necessity of changing hands at times with their burdens brought a corresponding change of cavalier at the lady's side, although it was observed that the younger Kearney, for the sake of continuing a conversation with Miss Jessie, kept his grasp of the handle nearest the young lady until his hand was nearly cut through, and his arm worn out by exhaustion.
"The only thing on wheels in the camp is a mule wagon, and the mules are packin' gravel from the river this afternoon," explained **** Mattingly apologetically to Christie, "or we'd have toted--I mean carried--you and your baggage up to the shant--the--your house. Give us two weeks more, Miss Carr--only two weeks to wash up our work and realize--and we'll give you a pair of 2.40 steppers and a skeleton buggy to meet you at the top of the hill and drive you over to the cabin. Perhaps you'd prefer a regular carriage; some ladies do. And a nigger driver. But what's the use of planning anything? Afore that time comes we'll have run you up a house on the hill, and you shall pick out the spot. It wouldn't take long--unless you preferred brick. I suppose we could get brick over from La Grange, if you cared for it, but it would take longer. If you could put up for a time with something of stained glass and a mahogany veranda--"
In spite of her cold indignation, and the fact that she could understand only a part of Mattingly's speech, Christie comprehended enough to make her lift her clear eyes to the speaker, as she replied freezingly that she feared she would not trouble them long with her company.
"Oh, you'll get over that," responded Mattingly, with an exasperating confidence that drove her nearly frantic, from the manifest kindliness of intent that made it impossible for her to resent it. "I felt that way myself at first. Things will look strange and unsociable for a while, until you get the hang of them.
You'll naturally stamp round and cuss a little--" He stopped in conscious consternation.
With ready tact, and before Christie could reply, Maryland Joe had put down the trunk and changed hands with his brother.
"You mustn't mind ****, or he'll go off and kill himself with shame," he whispered laughingly in her ear. "He means all right, but he's picked up so much slang here that he's about forgotten how to talk English, and it's nigh on to four years since he's met a young lady."
Christie did not reply. Yet the laughter of her sister in advance with the Kearney brothers seemed to make the reserve with which she tried to crush further familiarity only ridiculous.
"Do you know many operas, Miss Carr?"
She looked at the boyish, interested, sunburnt face so near to her own, and hesitated. After all, why should she add to her other real disappointments by taking this absurd creature seriously?
"In what way?" she returned, with a half smile.
"To play. On the piano, of course. There isn't one nearer here than Sacramento; but I reckon we could get a small one by Thursday.
You couldn't do anything on a banjo?" he added doubtfully;
"Kearney's got one."
"I imagine it would be very difficult to carry a piano over those mountains," said Christie laughingly, to avoid the collateral of the banjo.
"We got a billiard-table over from Stockton," half bashfully interrupted **** Mattingly, struggling from his end of the trunk to recover his composure, "and it had to be brought over in sections on the back of a mule, so I don't see why--" He stopped short again in confusion, at a sign from his brother, and then added, "I mean, of course, that a piano is a heap more delicate, and valuable, and all that sort of thing, but it's worth trying for."
"Fairfax was always saying he'd get one for himself, so I reckon it's possible," said Joe.
"Does he play?" asked Christie.
"You bet," said Joe, quite forgetting himself in his enthusiasm.
"He can snatch Mozart and Beethoven bald-headed."
In the embarrassing silence that followed this speech the fringe of pine wood nearest the flat was reached. Here there was a rude "clearing," and beneath an enormous pine stood the two recently joined tenements. There was no attempt to conceal the point of junction between Kearney's cabin and the newly-transported saloon from the flat--no architectural illusion of the palpable collusion of the two buildings, which seemed to be telescoped into each other. The front room or living room occupied the whole of Kearney's cabin. It contained, in addition to the necessary articles for housekeeping, a "bunk" or berth for Mr. Carr, so as to leave the second building entirely to the occupation of his daughters as bedroom and boudoir.
There was a half-humorous, half-apologetic exhibition of the rude utensils of the living room, and then the young men turned away as the two girls entered the open door of the second room. Neither Christie nor Jessie could for a moment understand the delicacy which kept these young men from accompanying them into the room they had but a few moments before decorated and arranged with their own hands, and it was not until they turned to thank their strange entertainers that they found that they were gone.
The arrangement of the second room was rude and bizarre, but not without a singular originality and even tastefulness of conception.